CLAS 24/WLIT 24
Myths/Legends Trojan War
Prof. Jacques Bailly
Graduate Teaching Assistant Madeline McIntire
Undergraduate Teaching Assistant Annaliese Holden
Spring, 2022
University of Vermont
Office Hours: Tuesday 9-10, Thursday 10:00-11:00 at 481
Main St, third floor first door. Also, feel free to ask for an
appointment: we'll find a time.
We also have two TA's, who are both available: email them for an
appointment or to ask a question.
contact: jacques.bailly@uvm.edu (most effective),
(802)656-0993 (less effective)
GTA: madeline.mcintire@uvm.edu
Undergraduate TA: annaliese.holden@uvm.edu
This official syllabus is online, not printed out: bookmark
the syllabus and use it online. Changes to the syllabus will
be announced in class and updated on this official online syllabus.
Significant changes will be announced to your uvm.edu email as well.
Refresh your browser to make sure it is not using a stored copy.
NOTE: We will use Blackboard for handing in all written assignments
and for some grading. We will use Microsoft Teams for all remote
attendance and for a discussion forum.
Schedule
- Week 1
- Jan 18
- Introduction: website, syllabus, readings from Iliad book
1 aloud
- Jan 20
- Reading due today:
- Iliad Book 1
- QUIZ (always on the reading up to that day, with
particular emphasis on the reading due that week)
- Week 2
- Reading due today:
- Jan 27
- Week 3
- Feb. 1
- Reading due today:
- Feb. 3
- Reading due today:
- QUIZ
- Blank
Map for next week's assignment (if the link doesn't
work, you have to go find a blank map (i.e. just the land
outlines, no labels) of the area that is now Greece and Turkey
and us it)
- Week 4
- Reading due today:
- MAP exercise due today (counts as 2 quizzes): label
on the map at least 20 things (including at least 10
cities/towns, and 5 water-phenomena) that are mentioned in the
Iliad or Odyssey and provide an
accompanying list with their ancient name(s), modern name,
and where they are mentioned in Homer (work, book number,
and line number: e.g. "Tenedos, modern Turkish
Bozcaada, Iliad book 1, line
20") and why they are important (just briefly: a few
facts). Use the blank map linked at Feb. 3 or any other
blank map you find.
- Feb. 10
- QUIZ
- Week 5
- Feb. 15
- Reading due today:
- Feb. 17
- Reading due today:
- QUIZ
- Week 6
- YOU SHOULD CHOOSE THE SCENE YOU WANT TO WRITE YOUR PAPER ON
AND BEGIN TO COLLECT IDEAS AND THOUGHTS AND WRITE A DRAFT
- Feb. 22
- Reading due today:
- FIRST OPPORTUNITY TO HAND IN 2 LETTERS
- Feb. 24
- Reading due today:
- Week 7
- MARCH 1 TOWN MEETING DAY RECESS
- March 3
- Reading due today:
- HOMER
PAPER DUE: 4-6 pages on a short scene in Homer
- Midterm
- MARCH 7-11 SPRING BREAK
- Week 8
- Reading due today:
- Aeschylus, Agamemnon lines 1-800 or so
- March 17
- Reading due today:
- Aeschylus, Agamemnon to the end
- QUIZ
- Possible HOMER-FEST POSTPONED
- Week 9
- March 22
- Reading due today:
- Aeschylus Libation Bearers and Eumenides
- Reading due today:
- SECOND OPPORTUNITY TO HAND IN 2 LETTERS
- Week 10
- YOU SHOULD CHOOSE THE SHORT PASSAGE FOR YOUR PAPER DUE NEXT
WEEK AND WRITE A DRAFT
- Reading due today:
- Madeleine B presenting on a "kinda sorta Odyssey game"
- QUIZ
- Week 11
- HOMER-A-THON: (WEATHER-PERMITTING)
- check emails and weather: if it's nice, we won't have
class: if it's raining, we'll have class and do the
HOmer-a-Thon later)
- meet on the walkway between Davis and Howe
- Homer-a-thon will be FROM 9:30 to 4:30, so stop by any
time all day in addition to class time!
- Schedule will move forward one day if Homer-a-Thon happens!
- Reading due today:
- April 7
- Reading due today:
- Euripides Hecuba and Trojan Women
- QUIZ
- Week 12
- April 12
- Reading due today:
- Nick Sanborn will present a game he's developing
- Tragedy
PAPER DUE: 4-6 pages on a short passage from
Athenian Drama
- April 14
- Reading due today:
- Dylan
Gooley game
- QUIZ
- Skit Preliminary Materials Due:
- description of skit, justification of choices made (what
action will be depicted? why? what are the characters? why?
what is the point of the skit, the intelligent/clever bit,
the thing that makes it stand out as worth doing and seeing
(it must have something like that)? what props/costumes will
be made?): one page at most. Not to be based on any
TV/Youtube/Radio show format or the like (no Bachelorette,
no Geraldo): this should tell a story somehow rather than
rely on some modern genre for its structure.
- preferably on an aspect of the Trojan War NOT ADDRESSED in
the literature we have read Rated PG-13 at most. 6-8 people
per skit.
- those who have not taken the matter into their own hands
will be assigned roles in Euripides' Helen
- according to this division of the play into
scenes.
- More about posters
- Week 13
- April 19
- Reading due today:
- April 21
- Reading due today:
- Choice of Poster Session Material due: what work or section
of a work will your poster deal with?
- This is primarily a VISUAL project, not a reading project,
so think of what can be presented visually and doesn't
require a lot of reading (obviously, some text is OK).
- An easy poster topic is to map out something, or find
visual representations of the Trojan War and analyze them,
or think of poetry, Opera, plays., etc. that are about the
Trojan War but have not been covered in our class.
Compare/contrast/analyze them via visual things. No films,
please.
- Week 14
- Week 15
- May 3
- POSTER SESSION 1 (due today from the half
of class with last names A-H): Create a 36X48 inch
poster (you choose the board: size is approximate, but go
bigger rather than smaller). Tri-folding the poster helps it
stand up and divides it nicely. Remember, covering less can
be more (if you try to cover the entirety of Paradise Lost,
you will be lost: cover a key scene, theme, character,
aspect and do it well).
- We need help carrying posters back to 481 Main St.
- May 5
POSTER SESSION 2 (due today from the other half of
class with last names I-Z).
- Presentations:
- Final Review
- Poster Session
- Evaluations
- We need help carrying posters back to 481 Main St.
- LAST DAY OF CLASSES IS MAY 6
Final Exam: May 10 at 11:30 (NOTE THAT
THE FINAL STARTS AT 11:30, NOT 10:30 in
our regular classroom. FINAL REVIEW GUIDE
Students with special needs that are documented, such as disabilities
or athletics or the like should contact Prof. Bailly as soon
as possible so that suitable accommodations can be made.
UVM has a clear code of academic conduct:
http://www.uvm.edu/policies/student/acadintegrity.pdf. Any breaches
of the code will be prosecuted as severely as possible. Do not stain
your soul or annoy others by violating it.
Electronics: you may use your electronic devices in class
ONLY for class-related activities, but obviously NOT for quizzes or
exams or the like. If you do use electronics, please sit in front on
the side of the classroom to minimize distractions to others. If any
breaches of this policy are noted, the individual will lose the
privilege of using electronics and be asked to sit in front on the
other side of the room.
At times, one's life or another's life becomes complicated
by difficult things, such as death, illness, psychological issues,
or just bad luck or bad choices. You and your fellow students are at
a particularly exciting (but also vulnerable and dangerous) stage of
your lives: young adulthood and real independence. Fortunately, we
care about each other and can help ourselves or others to get help.
UVM and the larger community have many many resources to help us
deal with such issues. If you or someone you know is suffering,
please avail yourself of those resources: Prof. Bailly is
ill-equipped to deal with many things, but he wants to help you in
any way he can to get help. You should also know that he and Ms.
McIntire are mandatory reporters for things like
illegal activities: in a way, that means that we can only hold what
you say in confidence if it is not dangerous to others or yourself
and not seriously illegal.
Please get exercise and sleep. They are absolutely essential
for your well being. Walk, ride, run, kayak, climb, step, or dance
for a bit every day. And don't push it with sleep: you'll get run
down, sick, and become low-functioning.
THE COURSE
Superficial Goal: To acquire familiarity with "The Trojan
War," the war between King Priam's city of Troy and the army of
Agamemnon, the one depicted in various works of literature,
including Greek Epics and Tragedy as well as Roman Epic. Think "Star
Wars" fan familiarity: love it!
Why do that? Well, first off, because it is culturally,
aesthetically, intellectually, historically, and personally interesting.
But also because of further goals that cannot be
fully accomplished but will be attempted in part in this course: to
understand the role that war and literature and associated phenomena
have played in various cultures, including Archaic Greek, Classical
Greek, Hellenistic Greek, Roman, and other cultures up to and
including present ones.
In order to do that, we will need to discuss oral
culture/orality, myths/legends, literate culture, archaeology,
cultural appropriation, literary genres, construction and
maintenance of cultural identity, history, historiography,
philology, deciphering lost languages, the alphabet, geography,
and more.
Activities: above all, this is a reading course. You
must read the assigned reading, and it is extensive. Reading needs
to happen before the class for which it is assigned. Simple reading
is just sliding the words thru your mind via your eyes, but it is
insufficient: what you need to do here is much more complicated. You
need to read for understanding the work as well as
connecting it to others. To do that, take notes, underline,
reread, discuss, and above all, love it. It is also a writing
and analyzing course: writing is itself a form of thinking.
Simple writing is just putting words on a page: what you need to do
here is good analytical prose writing. For that, you need
first to write your thoughts and ideas until you realize what you
should write about, and then start the assignment. And while writing
that, you should be re-writing it constantly. Good writing IS
re-writing, improving, re-organizing, deleting, starting over, never
being satisfied. If you are not revising heavily, you are simply
doing it wrong. It is also a presenting course: you will
present material to the class. To do that, you have to first
re-compose it (i.e. think it, re-think it, write it, re-write it,
repeat) and then rehearse it. Presenting is rehearsing, constantly
improving.
And why do all of that? Because it is interesting and makes
anything we do more interesting by making ourselves more
interested, and better at any thing we want to be good at,
whether that is writing technical manuals, working in the insurance
industry, being a tool and die maker, teaching high school, serving
hot dogs, or walking dogs. Simply put, it makes our lives better. Like
many other aspects of "the UVM experience," these academic things
add up: at the end of several years of social engagements and
other mere fun, what do you have to show for it? A few stories you
can tell at social engagements. At the end of 4 years' hard work
educating yourself in courses, you actually have something to show
for it: knowledge and abilities, and if you do it right, a bunch
of social capital from those you studied with. What is more,
knowledge and skills are pretty hard to lose or have taken away.
What is even more, they will fuel your future. What is even more,
the more you devote yourself to them, the more skilfull and
knowledgeable friends you will have. But they take time and work:
they are "slow fun" rather than the quick and easy fun of a party
that evaporates quickly. Please think about that as you balance
your priorities in the extremely complex life of a university
student. Basically, literature is a way to record and create
meaning in life, and a life without meaning is, uh, meaningless.
Assignments: above all, do the reading for the day before
you get to class (for example, if it says Feb. 31, Iliad
10-12, you should have read books 10-12 of Iliad before you had
class on Feb. 31. Other assignments are on the schedule.
Typical Class: A mini-lecture or two on a discrete topic or two,
connection of that topic to class concerns, a presentation or
other student-created item, reading aloud, discussion.
Required Texts:
The following are all available in the bookstore, but any
translation with line numbers will do.
- Homer's Iliad and Odyssey: Lombardo's Iliad
published by Hackett, and Wilson's Odyssey published by
W W Norton
- Virgil's Aeneid: Lombardo's translation published by
Hackett
- Euripides: Svarlien's Euripides Andromache, Hecuba, Trojan
Women published by Hackett
- Sophocles: Woodruff's Sophocles four tragedies: Ajax,
Women of Trachis, Philoctetes, Electra published by
Hackett
- Aeschylus' Oresteia (Meineck's translation published by
Hackett).
Graded Assignments:
- Weekly Quizzes (one will be dropped): 15%
- Skit: 10%
- Midterm: 20%
- Final: 15%
- Each student must do 3 of the following 5 bulleted options
(you may do them all, and the top 3 grades will count): 13.333%
each
- A pair (2) Letters, each from __(ancient figure)___
to ____(another ancient figure)____: >500 words each
letter.
- Homer Paper
- Tragedy Paper
- Poster
- For the differently ambitious:
- Class Presentation of scholarly material: do some real
research and report your findings: archaeology, film
adaptation, ancient art, modern literature... any topic that
you can show that scholars on JSTOR write about is fine:
must be approved and scheduled well ahead of time.
- Have another idea? Ask! Bailly likes to think he has an
open mind
Attendance: in place of attendance on Tuesdays, you will hand
in at the end of every class in which there is not a quiz or midterm
a daily comment or question about the class, called a "daily
comment." This can be about any aspect of the class, but it must
show active thought (those that don't won't be counted, but you
won't know that until it's too late). Particularly appreciated are
good questions for future discussion!
If there are 30 class sessions for which a daily comment will be
turned in, at the end of the semester, if you have turned in 27,
that is great. If you have turned in fewer, 1% will be deducted from
your grade for each one missing. Basically, attend at least 90% of
the classes and hand in a comment.
IF YOU ARE ATTENDING REMOTELY, YOU MAY EMAIL your daily comment to
annaliese.holden@uvm.edu.
Discussion forum: There will be a discussion forum on our
Teams site. You can contribute as much as you want. It will count as
follows: if you contribute meaningfully before a class, you will get
1 point for that class day. If you pile up 10 points, you get 100%
on a low quiz instead of whatever your grade was (to be allotted at
the end of the semester). Bailly, McIntire, and Holden may visit and
comment and occasionally empty the discussion forum into an archive.
Quizzes: for Thursday quizzes:
- You will take the quiz at the end of class.
- You also will hand in at the beginning of class a proposed
quiz question which may appear on the quiz. This will count as
attendance: please do not annoy everyone by trying to hand in
quiz questions if you come late.
- We will also use quiz questions from sparknotes and any other
useful online study guides we find, as well as questions we make
up.
- IF YOU ARE ATTENDING REMOTELY due to an excused absence:
- email your quiz question at the beginning of class to
madeline.mcintire@uvm.edu
- and then at the end of class, email your quiz to
madeline.mcintire@uvm.edu.
Ancient Greek: If there are enough (3 or 4 at least)
students who have some Ancient Greek and want to read a little
Homer, we can certainly do that. We'll talk about how it counts.
Late policy and makeup policy:
First off, let's be clear: this is about 2 things: making sure
that you can focus on your health and solving your urgent
problems, AND succeeding in this course. We as a community want
everyone to succeed and be healthy.
Let's brace ourselves for an 'interesting' semester:
do everything you can to attend and get everything in on time,
because it looks like many of us may have our semester disrupted by
the covidiocy.
Quizzes cannot be made up.
To make up what you missed in class, Bailly will try to record every
class, so you can 'attend' live or late even if you aren't there in
person. These sessions will be available 'live' to those of you who
are ill or have another good excuse, but not to everyone all the
time (that is what the provost and her staff advise). Availability
will be limited because this is not an online course, and the
experience will not be as good as being in person. Bailly also posts
extensive notes about all his lectures, and they are available to
everyone all the time.
IF YOU HAVE A PROBLEM INVOLVING ABSENCES, TALK TO BAILLY AS SOON AS
YOU REALIZE THERE IS A PROBLEM: DO NOT PUT IT OFF. A quick email
will do wonders.
If, in Bailly's opinion, it is possible to succeed in the class
without making up lost work, and Bailly is satisfied that your
education won't be significantly compromised by that, then you may
be "forgiven" what you missed. Succeeding does not necessarily mean
getting high grades.
If it is no longer possible to succeed without making up lost work,
Bailly and you will have to make a plan, if that seems advisable to
Bailly.
If you have to miss a midterm or final exam, talk to Bailly ASAP: if
you didn't talk to Bailly before the midterm or final, your
excuse had better be absolutely solid (car accident, fire, covid
symptoms appeared that morning AND you have a letter from the dean's
office), because ordinarily those things cannot be made up.
Life skill: GET IT IN WRITING: if you only talk to
Bailly, later on he may or may not understand the situation the same
way you do/did: if you email and Bailly replies back to confirm a
plan, you've got it in writing.
EVERYTHING THAT BAILLY HAS APPROVED FOR MAKEUP MUST BE MADE UP BY
THE LAST DAY OF CLASSES.
Extra Credit: Attend an academic guest lecture on campus in
any subject, write up a one-page summary of it, and hand it in
to Bailly. 100% on your lowest quiz for every 2 of these you do.
OVERALL GOALS of education as Prof. Bailly sees it: you are in a
course in the College of Arts and Sciences, not a professional
school. Arts and Sciences does not stoop to mere usefulness. It
soars and aspires to help you explore the wonders of the world,
humanity, and everything, and to become part of that wonder, to
add to it and expand our knowledge of it. Sure, along the way, you
acquire skills that propel you beyond others in any future
money-earning activities, perhaps a career, and result in
statistically significant excess of material rewards over others,
but that is not the target. Faster and better advancement in a job
is merely a nice perk, a fortuitous unintended consequence of your
education in Arts and Sciences. Whether you are figuring out the
chemistry of rattlesnake venom and how it works, the minimum
number of colors needed on a toroidal map, a contemporary art
piece by Mark Tansey, or the Trojan War, the aim of the activity
is to turbo-charge your mind and soul, to feed it material that
will propel it forward to develop its potential as fully as
possible, to help you become and be a good citizen of the world,
someone who is interested and interesting, not merely a useful
cog, but a beautiful informed intelligent soul who contributes.
As I waited to watch the 2017 Full Eclipse of the Sun from an
island in a river off of a remote peninsula in western Kentucky
(had to kayak to get there), I met a house appraiser who
also happened to be there. He was sitting on his lawn chair, up to
the seat in the water, and his son was there in tow. He told me,
"Education may be expensive, but ignorance is more expensive."
Truer words were never spoken.
Embrace the goal of learning as much as you possibly can: be
a maximalist, not a minimalist, when it comes to education. You
can keep learning all your life, and you will, but this here right
now is your best chance to turbo-charge it. Most people aren't as
fortunate as I to be in school all their lives, or even as you to
have a few years cleared out for this. Take full advantage!