• Shanta Lee Gander, CROW GODDESS, 2020. Archival pigment print, 26 3/4 x 40 in. (68 x 101.6 cm). Courtesy of the artist.

  • View of the Dark Goddess: Object Defied installation in the European/American gallery.

  • Shanta Lee Gander, DARK APHRODITE, 2021. Archival pigment print, 28 x 40 in. (71 x 101.6 cm). Courtesy of the artist.

  • Shanta Lee Gander, IN THAT ONE STORY, EVE…(I), 2021. Archival pigment print, 26 11/16 x 40 in. (67.7 x 101.6 cm). Courtesy of the artist.

  • View of the Dark Goddess: Object Defied installation in the European/American gallery.

  • Shanta Lee Gander, OBEAH’D (II), 2021. Archival pigment print, 26 11/16 x 40 in. (67.7 x 101.6 cm). Courtesy of the artist.

  • Shanta Lee Gander, ORIGINAL BERSERK, 2020. Archival pigment print, 26 11/16 x 40 in. (67.7 x 101.6 cm). Courtesy of the artist.

 

February 8 - December 9, 2022

Dark Goddess: An Exploration of the Sacred Feminine, an exhibition of Shanta Lee Gander’s photo series of the same name, has been six years in the making. The series started off as an initial idea and inquiry: Who or what is the Goddess when she is allowed to misbehave? Who is the Goddess when she is allowed to expand beyond bearer of life, nurturer, and all of the other boxes that we confine women to within our society?

Dark Goddess is a mix of ethnography, cultural anthropology, an exploration of the sacred feminine, and a co-creation with each of the individuals featured. Shanta Lee writes that beginning to share the work through exhibition has helped her to sharpen her sense of the purpose of exhibitions in general. “Bringing Dark Goddess to others has been an ongoing inquiry and invitation outside of my comfort zone,” she shared.

Dark Goddess inspires us to reconsider what has been meant by “the male gaze,” a term coined in 1975 by Laura Mulvey and an insight shared in the book Ways of Seeing by John Berger. Does Dark Goddess challenge the underlying idea that all of the ways that we see are inherently male?

“While amazing breakthroughs at the time, I think that these theories are binary and within our current context, we must think of the ways that the camera and the ways that those who have previously not been seen can engage with this technology in ways to cause powerful shifts.  As it relates to my work, I hope that it inspires more inquiry, questions about the other selves that are several layers beneath the surface of a society that categorizes and boxes,” writes the artist.

The Museum's European/American gallery features an extension of Gander's Dark Goddess exhibition called Object-Defied. Complimenting and contrasting with her photographs hanging in the Marble Court, Gander reexamines objects from the Fleming’s collection through the gaze of the sacred feminine.

While Dark Goddess was previously shown at the Southern Vermont Arts Center in Manchester, VT in fall 2021,  the exhibition has been curated specifically for the Fleming Museum with a twist.  In this latest iteration of the work, Shanta Lee’s Dark Goddess will enter into a conversation with the Fleming Museum’s collection and archives in ways that explore the continuum of the sacred feminine through time.

Listen to an introduction to the Dark Goddess series by Shanta Lee Gander.

Browse a playlist of interviews between artist Shanta Lee Gander and her subjects.

Support for this exhibition has been provided by the Kalkin Family Exhibitions Fund, Walter Cerf Exhibitions Fund, and the 1675 Foundation.

 

 

Dark Goddess: A Short Film

Directed, Written and Produced by Shanta Lee Gander
Sound Design and Music Production by Machafuko NA Vurugu Productions

In her exploration of the human gaze, the female body, and what it means to dance along a continuum of sacred and profane, Shanta Lee brings us further down the rabbit hole in this 15-minute short, Dark Goddess. In its combination of original and borrowed footage, this visual meditation is a kind of filmed version of Shanta Lee's Confessions from a Dark Goddess: A Travelogue (available as a brochure at the introduction to the exhibition). Within each of the five sections of the film, we are invited to bear witness to the artist's exploration of the sacred feminine across natural/cultural/personal landscapes and images transmitted through pop culture.

 

Shanta Lee Gander's "HECATE," 2020

Shanta Lee Gander's "HECATE," 2020

Shanta Lee Gander, HECATE, 2020. Archival pigment print, 26 11/16 x 40 in. (67.7 x 101.6 cm). Courtesy of the artist.

Listen to an interview between Shanta Lee Gander and her subject, Renee.

Shanta Lee Gander's "OBEAH’D (II)," 2021

Shanta Lee Gander's "OBEAH’D (II)," 2021

Shanta Lee Gander, OBEAH’D (II), 2021. Archival pigment print, 26 11/16 x 40 in. (67.7 x 101.6 cm). Courtesy of the artist.

Listen to an interview between Shanta Lee Gander and her subjects, Part I

Listen to an interview between Shanta Lee Gander and her subjects, Part II

Shanta Lee Gander's "SHE… KILLER OF BAD MEN (I)," 2020

Shanta Lee Gander's "SHE… KILLER OF BAD MEN (I)," 2020

Shanta Lee Gander, SHE… KILLER OF BAD MEN (I), 2020. Archival pigment print, 33 15/16 x 40 in. (86.1 x 101.6 cm). Courtesy of the artist.

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This exhibition is part of The Fleming Reimagined. To learn more about our institutional transformation efforts please read our priorities statement.

 

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