e-mail:   Kenneth.Nalibow
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World Literature 118
Great Short Works of Dostoevsky in Translation

Take-Home Exams



First Take-home Exam
World Literature 118
Great Short Works of Dostoevsky


Please answer TWO questions from among the following.  Please DO NOT write about the same ideasor works in BOTH essays. If you choose, you may
pose your own question and proceed to answer it. (If you decide upon this option, be sure you actually write out the question and clear it with me before
you proceed.   Failure to run through this simple process can result in my refusal to accept your question and answer.)  
Be sure that your essays are
analytical.  There should be NO narration of plots.
Please be sure to indicate which questions you are answering.


All exams must be typed (printed) DOUBLE-SPACED and turned in on time.  Late exams without approved extensions may be docked one letter grade
 for each class meeting that the exam is late. (If you have a serious exam in another course that interferes with this assignment, please see me in advance
for an extension.) 

1 According to Edward Wasioiek, Dostoevsky's Underground Man is a "...vain, nasty, tyrannical, vicious, cowardly morbidly sensitive
self-contradictory. .." individual. On the basis of these adjectives, discuss the underground man archetype as we see him in Notes from Underground .


2. The Notes from Underground is based on a unique narrative format which uses Cervantes method of outlining the events of the chapters in chapter subheadings. Discuss this unique narrative presentation.

3. As an artist, Dostoevsky's rejection of the scientific/mathematical world of "two times two equals four" is very consuming. Discuss the meaning  free will in this work. What is its function? Why does the author feel the way he does?

4 The world view in Dream of a Ridiculous Man is a shortened, simplified version of Dostoevsky's metaphysical dialectic. What is the author's world view as expressed in this work?  Is his outlook ultimately pessimistic or optimistic? And why does the ridiculous man choose to shoot himself in the heart rather than in the head?

3. How does isolation play a role in Dream of a Ridiculous Man?

4. Define and discuss duality in one of the three works we have read. How does the concept of duality allow Dostoevsky to clearly transmit his ideas?

5. Narration and the narrator play important roles in all of Dostoevsky's works. Choose one, two or three works from what we have read to
elucidate the role/s of narration and the narrator.


6. The ridiculous man plays the parts of creator, corrupter and redeemer of the "sinless" people in his dream. Discuss this premise.

7. In his Memoirs from the House of the Dead, Dostoevsky delineates three categories of prisoners. Discuss the categories and how the
characters that fit into each help to shape the work.


8. In his Memoirs from the House of the Dead, Dostoevsky sees in each man NOT the golden heart, but rather the executioner. The narrator states "In almost every man today there may be seen the executioner in embryo." «Свойства палача в зародыше находятся в почти каждом современном человеке» Discuss the citation. Agree or disagree and discuss your stance.

9. Memoirs from the House of the Dead is loaded with interesting, biographical information. Pick several specific items or events that interest
you and discuss them in an essay.


10. There is a keen relationship between the events of parts I and П in Notes from Underground. Discuss this relationship in an essay.

11. According to E. H. Carr, "The figures of Makar and Varvara (Poor Folk) have not the reality of everyday life, nor are they merely lay
figures of convention; they have the peculiar exalted vitality of beings set in the world, but not of it, which Dostoevsky imparts to all his
greatest characters."  Discuss this premise.


12. Poor Folk is Dostoevsky's first recognized work. This epistolary novel contains numerous themes. Pick several of those that fascinate
you and discuss their significance.


13.  In Notes from Underground, Dostoevsky presents a strong dialectic of thesis (reason) versus antithesis (free will).  Is there a synthesis to
this dialectic in the works of Dostoevsky that we have read so far?  If so, describe it with reference to the literature.  Make sure you discuss
the dialectic itself.


14.  Dostoevsky integrates philosophical concepts into his work.  These concepts provide the reader varying interpretations of Dostoevsky's
characters and their actions.  Relate one of these philosophies to Dream of a Ridiculous Man and examine whether the text supports or refutes
the argument set forth by that philosophy  (John James).





Second Take-home Exam

World Literature 118
Great Short Works of Dostoevsky



Please answer TWO questions from among the following.  Please DO NOT write about the same ideas or works in BOTH essays.  If you choose, you may pose
your own question and proceed to answer it. (If you decide upon this option, be sure you actually write out the question and clear it with me before you proceed.
 Failure to run through this simple process can result in my refusal to accept your question and answer.)  
Be sure that your essays are analytical.  There should
be NO narration of plots.   
Please be sure to indicate which questions you are answering.

All exams must be typed (printed) DOUBLE-SPACED and turned in on time.  Late exams without approved extensions may be docked one letter grade for
each class meeting that the exam is late. (If you have a serious exam in another course that interferes with this assignment, please see me in advance for an
extension.) 



1.  Although the first person narrative voice is common to few of Dostoevsky's works, it IS common to Notes from Undergroand.
Why is the first-person voice so suited to this work?

2.  Children, as seen in Brothers Karamazov, were very important to Dostoevsky.  In A Christmas Tree and a Wedding, describe
the role of the children.

3.  Despite the brevity of the text to A Christmas Tree and a Wedding, Dostoevsky outlines the temperament of Julian
Mastokovich with a few, simple brush strokes.  Discuss this personage. 

4.   Although little is directly said about them, the heiress's parents are a critical element to what Dostoevsky transmits to the reader in
A Christmas Tree and a Wedding.   Discuss.

5.    Discuss A Christmas Tree and a Wedding as “social commentary.”   What does Dostoevsky tell the reader about the state of the
aristocracy in Russia?

6.     What does the experience with Marei teach Dostoevsky about Salvation and Beauty and about Humanity? (Devin Foxall)

7.    Dostoevsky never seemed to enjoy success handling money. The Gambler is autobiographical and discusses Dostoevsky's own
attraction to the gaming tables. Discuss the major themes in this work.

8.   Dostoevsky not only discusses the pathology of the gambler in his work by that name; he also characterizes different nationalities,
including Russians. Discuss his characterizations.

9.   Rarely included in complete publications of Dostoevsky's works and never published separately in the USSR, The Crocodile is a
scathing satire which ridicules the "new men."   What is the thrust of what the author is saying?

10.     In The Christmas Tree and a Wedding Julian Mastokovich is described as "a man of consequence." Compare him and the
symbolism of what he represents to the peasant Marei in The Peasant Marei.

11.  In The honest Thief, Dostoevsky narrates what might be understood as a “parable.”  Discuss this idea.

12.  Compare the theme of love in White Nights to love as seen in Poor Folk.

13.  White Nights contains considerable information about humankind and the ways we relate to one another and to life.
 Discuss what you find most poignant in the narrative.

14.  The Peasant Marei is an amazing look into the soul of the Russian peasant.  Discuss the importance of what we learn from this story.

15.  The Russian proverb states that: “When you meet a man, you judge him by his clothes; when you leave, you judge him by his heart.” 
Interpret the meaning of the probverb as it relates to Julian Mastokovitch in A Christmas Tree and a Wedding and to Marei in
The Peasant Marei
(Jacqueline Thode)
.




 

Final Take-home Exam
World Literature 118
Great Short Works of Dostoevsky


Please answer TWO questions from among the following.  Please DO NOT write about the same ideas or works in BOTH essays.  If you choose, you may
pose your own question and proceed to answer it. (If you decide upon this option, be sure you actually write out the question and clear it with me before
you proceed.  Failure to run through this simple process can result in my refusal to accept your question and answer.)  
Be sure that your essays are
analytical.  There should be NO narration of plots.
  Please be sure to indicate which questions you are answering.  Answer one qeustion from each category..

All exams must be typed (printed) DOUBLE-SPACED and turned in on time.  Late exams without approved extensions may be docked one letter grade
for each class meeting that the exam is late. (If you have a serious exam in another course that interferes w
ith this assignment, please see me in advance
for an extension.) 


FROM THE LAST EXAM TO THE END OF THE COURSE

1.   The brevity of A Gentle Creature belies the importance of this work. Dostoevsky's analysis of humankind's relation to chosen mates
is central. What can be gleamed from the relationship between the pawnbroker and the gentle creature?


2. . The title, A Gentle Creature, might lead some to erroneously believe that the pawnbroker's wife is nothing more than a doormat.
Describe the personality of this woman and analyze the symbolism of her suicide.


3.   Discuss: A Gentle Creature is the story "... of a man tormenting the  woman, who is at his mercy."   Discuss the premise (Will Hurd).


4.   In The Christmas Tree and a Wedding and The Peasant Marei, Dostoevsky presents contrasting views of life and of children.  Discuss
some of these contrasts.  Variation on the basic question: Use The Christmas Tree and a Wedding and The Peasant Marei to discuss the
differing ways people relate to children.

5.    In The Christmas Tree and a Wedding, Julian Mastokovich is described as "a man of consequence."  Compare him and the symbolism
of what he represents to the peasant Marei in the work by that name.

6.   What does the experience with Marei (Peasant Marei) teach Dostoevsky about Salvation and Beauty and about Humanity? (Devin Foxall)

7.  Dostoevsky never seemed to enjoy success handling money.  The Gambler is autobiographical and discusses Dostoevsky's own
attraction to the gaming tables.  Discuss the major themes in this work.

8.  Dostoevsky not only discusses the pathology of the gambler in his work by that name; he also characterizes different nationalities,
including Russians.  Discuss his characterizations.

9.  Whose vision of society and humanity should we follow  - the Underground  Man's or the Ridiculous Man's? (Devin Foxall)

10. 
Unmask the main themes and discuss the extreme desperation in The Gambler.

11.  The Gambler and numerous other works of Dostoevsky entail notions of xenophobia as characters embrace the
culture
and lifestyle of Western civilization.  Discuss how Dostoevsky’s writing exemplifies this fear of Western thought
and
reason (Andrew Boyd).


12.  In The Double, "...Golyadkin's hatred of his 'wrong' self has an important correlative: his desperate desrie to be the 'right' self. 
He has an overwhelming need to be a Golyadkin who is admired, respected and envied.   (Edward Wasiolek, Dostoevsky, The Major
Fiction, p. 9)."  Discuss this point.

13.  In The Double, "Golyadkin distorts reality, reshapes it and remakes it to fit the needs that drive him.  ...He tries to create a world that
will answer to how he wants to see himself;  he succeeds in creating a world that mirrors his inner conflict (Waiolek, Dostoevsky, The
Major Fiction, 
p. 10).  Discuss. 

14.   Compare Dostoevsky's view and portrayal of the children in A Crhistmas Tree and a Wedding (1846) versus what he ssays about them in the tiny narrative titled The Little Orphan (1887).

15.   Both Poor Folk and A Christmas Tree and a Wedding are written in 1846 (Poor Folk is written earlier that year).  This is an
almost remarkable phenomenon.  Discuss this vis-a-vis what Dostoevsky says in the two pieces.

16.   What is the effect of the narrative simplicity found in The Peasant Marey and The Little Orphan (Sam Sloane)?




OVERVIEW OF THE COURSE

1.  Discuss the following quotation form Mikhail Bakhtin's Problems of Dostoevsky's Poetics.  
"As an artist Dostoevsky did not discuss his ideas in the same way that philosophers and scholars create theirs - he created living images
of the ideas which he found, detected or sometimes divined in reality itself (73).  Apply the quotation to one or more works we read this
semester. Agree or disagree, as is your wish.

2.  "Dostoevsky devoted his whole creative energy to one single theme, man and man's destiny. He was anthropological and anthropocentric
to an almost inexpressible degree: the problem of man was his absorbing passion [Dosteovsky by Nicholas Berdaev (39)].  Pick one or more
works we have read and discuss the premise.

3.  Dostoevsky and Gogol occupy themselves with the urban setting.  We often describe Gogol's work as representing the "grotesque" (literary
distortion).  Does the term "grotesque" apply to Dostoevsky? Where?

4.  Much of Dostoevsky's concern for humankind revolves around characters representing either the empowered or the subservient.
 Discuss the premise and cite works in which these opposites occur.

5.  Notes from the House of the Dead contains full-blown many of the ideas connected to Dostoevsky's metaphysical dialectic.  Enumerate
which ideas contained in his dialectic are contained in Notes form the House of the Dead and discuss the connections elsewhere in Dostoevsky work.

6Many of Dostoevsky’s characters may be described using the German word realitetsfremd (awkward, out of touch with reality). 
Included in these characters are the hero of White Nights and Golyadkin of The Double, to name but two.  Relate realitetsfremd to
two or more characters and discuss their issues.