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Cristina Mazzoni

The Women in God's Kitchen:
Cooking, Eating, and Spiritual Writing

New York: Continuum, 2005

on the back cover:

"Cristina Mazzoni serves up a savory blend of deeply engaged feminist literary criticism and personal spirituality, sure to tantalize the most discriminating palates. She invites readers to join her mystical chefs, from Hildegard of Bingen to Therese of Lisieux, as they chop, wash, taste, and chew in God's kitchen. Their siren call is irresistible, a delight for body and soul."

--Rudolph Bell, historian and author of Holy Anorexia

"An excellent and fascinating exposé of the deep bonds that, over the centuries, have steadily developed and existed between women of deep religious faith and the thoughtful preparation of food for their families and communities."

--Madeleine Kamman, chef and author of The New Making of a Cook

"This book is a feast! Mazzoni has a wonderfully imaginative mind, and a gift for pulling a whole range of unusual evidence into attractive shape. Deftly wielding the utensils of feminist literary criticism on a harvest of women’s texts, she shows how the cooking and eating lessons of holy women also contain spiritual riches. Sugar, spices, bread, lettuce, fish, apples, cheese, honey: all connect with the religious passions of those who use them in the kitchen. This innovative study gives much food for further thought."

Elizabeth Johnson, theologian and author of She Who Is

Mazzoni (romance languages, Univ. of Vermont), the author of the much-acclaimed Saint Hysteria as well as an authority on the life of modern mystic Gemma Galgani, has worked something like a miracle in this brief book. It is at once a pleasing collection of stylish essays, a journey through one person's spirituality, and a profound work of scholarship. Mazzoni finds and follows the trail of breadcrumbs-the fraught place of food and food writing-through the lives and works of dozens of holy women from Byzantine times to the day of Therese of Lisieux. The implications of Mazzoni's gracefully stated paradoxes and questions are enormous; her ideas are likely to cast a wide and bright light both for scholars in many fields and for the common reader seeking to understand the present in the light of the past. Highly recommended. (Library Journal)

Jean Anthelme Brillat-Savarin once noted that “nunneries in the old days were veritable storehouses of the most delectable tidbits.” Perhaps that is why the much-maligned Lucrezia Borgia is said to have truly felt at home only in the company of pious cloistered nuns. In his landmark study, Holy Anorexia, Rudolph Bell focused his attention on holy women who survived on nothing but the eucharistic wafer. Cristina Mazzoni, taking the opposite tack, savors the food writings and images of a broad spectrum of Catholic saints and holy women. A native of Italy and a splendid cook herself, Mazzoni accords due attention to her fellow countrywomen, as well she should given the importance of Italian cookery (Catherine of Genoa, Angela of Foligno, Gemma Galgani), but includes numerous other holy women and their cuisines as well: Germany (Hildegard of Bingen, Elisabeth of Schönau, and Margaret Ebner), France (Margaret Mary Alacoque, Thérèse of Lisieux), Spain (Teresa of Avila), colonial South America (Sor Juana Inès de la Cruz), England (Margery Kempe), and even the United States (Elizabeth Ann Seton, who was the first person born in the United States to be canonized by the Roman Catholic Church).

In her Introduction, Mazzoni invites the reader “to seek out and savor with me…the food concocted, dished out, bitten into, tasted, and swallowed in the writings of holy women: food that may be mundane, unexceptional, and commonplace, but food that may also be delicious, nutritious, indulgent or healthful. Whether in the form of stockfish and stew or chocolate and jam, whether baked as lasagna with greens or curdled into a fine or bitter cheese, this food-through metaphors and similes, through anecdotes and memories-leads to mystical connections, underlines the presence of meaning even, or especially, in the midst of seeming meaninglessness, and leads us to share in the pleasure of cooking, eating, and learning at a divine table, in God's kitchen.”

Read a longer review of The Women in God's Kitchen in the National Catholic Reporter