Lynne Greeley, Associate Professor, Emerita
- Ph.D., University of Maryland
- C.V. (PDF)
Area of expertise
Theatre History & Criticism
Lynne Greeley, historian and critic, has diverse interests in theatre with a focus on gender, the history of women in theatre, experimental theatre, and contemporary playwrights who are creating new waves in politics and art. Her manuscript, "Brazen Femininity: Women in American Theater, 1910s-2010s" rewrites the definition of feminism and femininity while tracing the history of women in American theatre with special attention to new varieties of feminists. Her publications cover the pedagogy of theatre as well the scholarly analyses of performers and playwrights alike such as Agnes Moorehead, Carson McCullers, Susan Glaspell, Martha Boesing, Megan Terry, Holly Hughes, and Sarah Ruhl to name a few. She has published in the scholarly journals Theatre History Studies, Theatre Survey, Text and Performance Quarterly, and Belles Lettres and contributed chapters to Theatre and Feminist Aesthetics, Teaching Theatre Today, Radical Collectives, circa 1968: Group Theatres and Their Legacies, and Notable Women in American Theatre among others. In addition to teaching the academic courses in the department (dramatic analysis and the histories), she created Eurotheatre, a spring course concluding with two weeks of study in Europe during alternate summers. She also teaches an upper level course based on her book through which she invites active student contribution to her ongoing and never-ending scholarship. As the dramaturg to the department, she advises student dramaturgs in their work with the faculty directors. On her own, she is a freelance writer of plays, novels, and any whimsy that crosses her keyboard, as well as a passionate traveler. Most of all, however, she is a teacher.