Iliad Book 2
- Dream as a goddess: no personality beyond merely being a
dream: interesting.
- This is one way of conceiving of divinities: Aphrodite has a
personality, a childhood, and a plot to her life, but she is
in a way like Dream: she is simply LOVE as an influence on
humans. Considered as just LOVE, she is a force, a phenomenon,
a power that affects humans. It could be considered internal
to humans, but making it a god makes it external to humans (or
does it? where do gods exist, after all?)
- Note that NESTOR is the wise counselor again, but this time in
Agamemnon's dream.
- Zeus deceived Agamemnon via Dream.
- Note that the divine action has a parallel perfectly human
explanation: you could tell this story without using divinity,
and it would be much the same! You just would say "Agamemnon
dreamt that Nestor came and told him...."
- 45 clothing/arming scene: a type scene
- Why would an oral poet like these scenes?
- He could have them ready up his sleeve and deliver them
while considering where to go next. They sort of give him room
to think perhaps.
- But they also serve a good function for the narrative: they
are interesting and give it detail and "reality."
- 60 following
- Agamemnon repeats the dream to the counsel of leaders
- this speech-repetition happens a lot
- thinking space for oral poet?
- welcome repetition for audience: familiar lines they can
smile in recognition of?
- 75
- Agamemnon tests the Achaians: he will suggest that they go
home!
- 90's
- epic simile: like the swarms of bees
- is this the first one we have seen? or has another one
passed unnoticed by me?
- nature is one source of these similes!
- What function do they serve? for narrative? for poet?
- 110
- the scepter
- has a lineage of descent
- cf. the provenance of an item at auction or in a museum:
adds tremendous value
- = power and honor
- 155
- another simile: from nature again
- 170ff
- Hera gets Athena to go down and make the Greeks stop
preparing to leave Troy: Athena persuades the leaders to fight
once more against Troy.
- Note that a goddess again does something that could have had
a perfectly human explanation: often, the gods seem like
externalized thoughts that are struggling with other thoughts
and win the day.
- 200ff
- Odysseus persuades the nobles, the leaders
- Odysseus beats and insults the common soldiers into
submission
- WOW
- 228
- another simile, again from nature: the sea
- 233ff
- THERSITES: MY HERO: THE ONLY GREEK IN HOMER WITH ANY
SENSE!
- POOR THERSITES
- What is going on? This episode seems entirely anachronistic:
it seems like Thersites is an Athenian used to democracy and
participating as an equal citizen with other citizens, as if
he can speak truth to power and it will be taken as valuable
debate. Poor man.
- he is ugly === NOT NOBLE
- he is lame === NOT NOBLE
- he has no noble birth === NOT NOBLE
- his hair is ugly === NOT NOBLE
- but he is right! DOESN'T MATTER
- 227 he points out that the soldiers are the ones who did the
work of winning the prizes that were allotted to the leaders
- Woodie Guthrie would like him! Unions would like him!
- 265
- Odysseus' horrible horrific speech against Thersites:
apparently we are meant to take it as reasonable, but not one
real argument or sensible thing is said in it: it's just rank
abuse of a poor man for being ugly and not agreeing. Odysseus
is a horrible bully. But Odysseus is NOBLE.
- DO NOT TAKE THIS AS A NEGATIVE CRITICISM OF Iliad:
RATHER, IT IS PART OF HOMER'S ATTRACTION AND EVEN GENIUS TO
INCLUDE THERSITES. I JUST HAPPEN TO LIKE HIM IMMENSELY.
- DID THE GREEKS QUESTION THE HOMERIC ETHICAL CODE? YES THEY
DID: DEMOCRACY AROSE IN GREECE, BUT IT AROSE 200 YEARS after we
think these poems took their pretty much final form. THIS MAY BE
AN ANACHRONISTIC BIT THROWN IN LATER. OR MAYBE NOT? HOW COULD
ONE TELL REALLY?
- I think it is important to notice the rank and file and what
they do in the epics: they are there, just not front and center.
Arguably, they are in fact the ones who fight the war, in spite
of the concentration on one-on-one combat of named characters.
- 300
- Athena is on Odysseus' side!
- 305ff.
- Odysseus recounts the story of how a snake ate 8 baby birds
and then the mother, at an altar, and then Kalchas interpreted
it as a sign that it would take 8 years of fighting and then
in the 9th year Troy would be taken.
- 400
- Agamemnon's mea culpa about fighting with Achilles.
- Agamemnon threatens to punish any who hang back from the
fighting
- VERY interesting side note about Greek history: later, in
the Persian War, a criticism raised against the Persians was
that they whipped their soldiers into battle.
- Apparently, that is just what Agamemnon promises to do.
- Where will Agamemnon be?
- Hanging back and looking for stragglers? how admirable
(NOT).
- another simile from nature: surf on a cliff
- 450
- Zeus accepts Agamemnon's sacrifice, but does not grant his
wish for victory!
- 485
- simile: fire in a forest
- simile: flocks of birds=fighting men mustering
- simile: men = leaves and flowers in their season
- simile: men = insects swarming
- simile: leaders = goatherds separating flocks
- simile: Agamemnon like Zeus, Poseidon, and Ares! and an ox.
- 535
- MUSE delivers CATALOG OF SHIPS
- there is an "I": the narrator speaks as "I"!
- a set piece for a bard to show off
- think of the pageantry of the opening ceremony of the
Olympics
- think of all those ceremonies in which name after name is
read out
- would it be tedious and boring to the audience? hard to
imagine that it would. Each name was probably familiar.
- think of introducing the players of each team before a game.
- little stories, and lots of little details alluding to
stories
- the story of Thamyris the singer whose memory was taken
away because he challenged the muses!!
- Protesilaus, who had been the first Achaian to die at Troy
- Philoktetes, who had been left wounded on an island, but
whose bow was needed to win the war
- note the hint: soon they were to remember Philoktetes:
Homer doesn't tell the story but just alludes to it.
- the bits and bobs of details that allude to stories tell us
clearly that those other stories were well known: the audience
will have enjoyed hearing those little details and connecting
the dots, sort of like at a concert where a musician
improvises and moves from melody to melody and the crowd roars
when they recognize it.
- 902 SHIFT OF SCENE TO TROY
- Goddess Iris addresses Trojans
- NOTE that Trojans = Dardanians
- 920
- isolated allusion to the fact that the allies of the Trojans
speak many different languages!
- 930
- Hektor and Aeneias!
- Catalog of Trojans, much shorter than Greeks.