Notes on Iliad Book 3
- 1ff.
- there is a battle formation of the rank and file: they stand
by each other
- this is how a war would have been fought at most times: by
masses of soldiers, not so much by individual combats. Homer
doesn't emphasize this, but occasionally seems to show that he
knew it.
- 5 and 15
- similes: from nature, but also from human world
- 22 ff.
- Paris jumps forward to challenge: a one on one battle
- Menelaus comes forward to meet him.
- 28 and 40
- similes of Menelaus and Paris in battle: from natural world,
but human world mixed in (the lion is being hunted by humans,
the snake almost trod on by a human)
- 45 f.
- Hektor rebukes (a standard type of speech) Paris,
and Paris says he is right to do so and agrees to a man-on-man
battle with Menelaus for possession of Helen
- this seems radically out of place in the 9th year of a war
to reclaim Helen, no? Coulda shoulda happened earlier, no?
- 65
- simile for Hector's heart (Greek says heart, Lombardo says
mind): an axe blade: simile from world of humans
- 105ff.
- lambs are to be sacrificed to mark the pledge that whoever
wins the duel will take Helen and the war will be over
- note that Talthybios, Agamemnon's herald, is sent:
Talthybios was the one who took Briseis from Achilles. He and
Eurybates Agamemnon's go-fers.
- 123
- Shift scene to HELEN
- Iris, shape of Laodike, comes to her: Iris means
"rainbow," a messenger goddess.
- at 140, Helen is said to be filled with desire for Menelaus!
Iris puts her up to it: the gods seem to use her like a pawn
by arousing lust in her
- again, a perfectly human psychological phenomenon is
attributed to a god's influence: compare Athena pulling back
Achilles from killing Agamemnon, or Agamemnon's dream. This is
clearly a narrative device, but also an aspect of divinity: it
perfuses human lives. "Ordinary" things can be godly
influenced happenings.
- 170ff
- The teichoscopia: view from the walls, a famous
instance that fits into a type scene not unlike the
catalog
- Priam and other elders watch from the walls and ask Helen
about the Greeks. She tells them who is who.
- amazingly, they think that her beauty absolves both sides of
blame for fighting for her. It is a perfectly good reason to
go to war, apparently.
- but they'd rather not be at war and want to send her back
- 180
- Helen's speech: she wishes she had never left and come to
Troy: Priam says the gods are to blame, not her.
- 220
- Odysseus and Menelaus came to Troy before the war, about
Helen! Must have been a diplomatic mission to try to avert the
war?
- Homer (and mythology) is littered with this sort of
echo-like thing.
- Think of how Heracles took Troy in the generation before
this one: an echo of the current war. These echoes or
parallels make things more interesting and related in
interesting ways. Almost like alternative realities: what
could have been.
- 238
- simile for Odysseus speaking: words coming down like the
winter snows
- 245
- 325
- Prayer over the lambs: may whoever breaks this oath suffer
- BUT ZEUS would not fulfil it, says Homer!
- The god of oaths won't punish the oath-breaker. Interesting
dynamic.
- Zeus has priorities, and in this case, oath-breaking is not
one of them.
- 340
- decision by lot: that would become very important in Greek
democracies, unlike modern versions
- 355
- arming/armor description: one of many type scenes of
description.
- 395
- Paris has lost the duel, but Aphrodite saves him
- she breaks the chin strap
- she covers Paris with a cloud and whisks him away
- to his bedroom
- and then fetches Helen to the bedroom
- Helen calls her on it: she recognizes Aphrodite thru her
disguise as a mortal woman : she says "I don't want to go lie
with Paris: YOU DO IT!"
- Aphrodite rages, Helen is frightened, and Helen goes.
- IS this regular ordinary human psychology made external and
attributed to divine action? Hard to say: Helen would seem
almost to have a split personality, then.
- 455
- Helen castigates Paris and tells him to go back and fight.
- But then she does an about face and tells him not to
- Ordinary human psychology?
- Incredibly poignant picture of the two of them making love
as never before and Menelaus raging like a lion in the field
of battle.
- Agamemnon's speech calling for Helen to be given up closes the
book.