- Daily comments on Sept. 17th and some thoughts from Jacques
about them.
- Aristotle claims that the presence of a pilot can cause a ship
not to crash but the absence of a captain can cause the
contrary, that a ship crash. Mary Beth thinks that that example
is fishy because a ship can crash even with a pilot or even
because of the pilot, and not crash even without a pilot.
- A first response might be that Aristotle's examples are
meant to illustrate his point: if they don't do that for us,
we should ask whether his point is sound and then ask if we
can come up with a better example. Examples are tricky. We
need to give him the benefit of the doubt when it comes to
examples.
- But Aristotle might also claim that the skill of being a
pilot does save ships, and if a pilot is present and a ship
crashes anyway, it may be either that nothing could have saved
the ship or that that person is a pilot in name only but lacks
the piloting skill.
- Cameron and Zi Qin preferred the method of conducting class
that talks about Aristotle's text directly.
- That's great feedback. Thank you.
- Oliver says Aristotle is making sense to him, and he thought
it never would. Alexa has a similar comment.
- Great to hear! Thank you for saying that.
- it's interesting, because some of us find Aristotelian
causes confusing and hard.
- Iris finds the formal cause the most difficult, the most
abstract, and thinks it overlaps with the other causes.
- The formal cause of any thing, a statue, a sculptor, a word,
is what makes it that thing as opposed to something else, what
defines it as itself: so it is what makes a statue a statue, a
sculptor a sculptor, a word a word. In other words, it is the
'form' or 'essence' of that thing as what it is. I'm not sure
if I'm just repeating confusing things.
- It certainly overlaps with the final cause: understanding
the final cause involves understanding what something is for,
what its goal is, and you cannot do that without understanding
what a thing is.
- One might think it overlaps with the material cause, but I
don't think so: a statue made of bronze is 'made of bronze,'
but it is a statue, which is its form. The material
affects what can be formed from it, but the material is not
what is formed from the material. So why would one think it
overlaps? Because bronze itself has a form, what makes it
bronze as opposed to brass or platinum or whatever. It matters
what one is trying to explain whether bronze is the material
cause or the formal cause: if one is trying to explain bronze
things, like rings and statues and daggers, then bronze is the
material, but if one is trying to explain metals like bronze
and brass, then bronze is the form.
- Mia wonders how shapes or letters can be causes.
- What makes a circle a circle? It is not whether it is metal
or plastic (its material) or who made it (its efficient cause)
or what it is for (if circles even have a purpose).
- SO what is it that makes a circle a circle? It is
that it fits the definition (the form) of circle, and that
is a shape, so shape can be the cause. In that sense, it is
a cause of the circle. You might not use the word 'cause' of
such things, but Aristotle does. He thinks that one of the
basic things you need to figure out about a thing is what it
is that makes it what it is, and the calls that a cause. And
if you are dealing with shapes, you need to understand what
it is that makes each shape the shape it is, and that is
what Aristotle calls the formal cause.
- Letters are used to make words: they are its constituent
parts: in that sense they are the material of words, much like
water is what makes a lake. We don't ordinarily call that a
cause, but it is an indispensable part of understanding and
explaining what words are, and so it is a cause for Aristotle.
- Elizabeth wants to know what made Thales think everything is
made of water.
- I wish I knew: all we have are a very few of his words,
perhaps, and other people's reports about what he said. He is
usually considered the first philosopher in Greece. The idea
that a great number of things can be reduced to a simpler
single thing is a powerful move and tool of thought.
Also the idea that you can change the density or temperature
of one thing (water) and have it take many different forms and
have many different qualities is a really powerful idea. It
can be called the idea that quantitative change can be or lead
to qualitative change (put enough heat into ice and it becomes
water: change the quantity of heat and you change the
qualities of the ice drastically).
- Beatrice finds the material and formal distinction
unconvincing.
- I think I hear you on that, but I'd like to hear more,
because I remain convinced that matter is different from form.
- When you ask about what a thing is made of (the material),
you are asking for a very different analysis of the thing than
when you ask what the material was made into (the form).
- Example: my ring is made of gold, and that it is made of
gold explains a lot about it, but that it is a ring has
nothing essentially to do with gold and everything to do with
ringiness (whatever it is that makes rings rings). The
structure, shape, coherence, etc. of a thing are different
from what it is made of. Sure, some material won't work for
some forms (you can't make a finger ring out of gas, for
instance), and some material works very well for some forms
(metals work very well for finger rings, better than styrofoam
or jello or fabric), but that does not make the material a
good explanation of what a thing is in itself.
- One thing to keep in mind is that materials have form too:
gold is made up of protons and electrons and neutrons (its
matter). But its structure (its form) is different from the
structure of lead or arsenic or benzene, which are also made
up of protons and electrons etc.
- Joseph wants to know if there is a concordance to Aristotle.
- First, a concordance is a work that catalogues every word of
an author, gives where it occurs and catalogues the meaning it
has at each passage. The detail is overwhelming.
- Bonitz wrote a concordance to Aristotle's Greek text.
- Writing a concordance for English translations would be
almost pointless, I think.
- There is, however, a very good index at the back of your
books.
- Charlotte is still not sure about genera and species.
- It might help to think of them as labels for things: the
genus of a thing is the general sort of thing it is, whereas
species is a more specific label.
- Genus is always more general than species, but both genus
and species are classifications.
- Or maybe think of it as classifications and
sub-classifications: the bigger classification is the genus of
the sub-classification, which is a species within the bigger
classification.
- I feel as if I'm repeating myself: not sure what else to do:
keep asking questions to help us all understand more.
- Thaddeus wants to know how the books and chapters are
organized in Aristotle's original works in ancient Greek.
- The exact same way as our translation, usually.
- The times when they might not be are when it's just not
clear how they were organized in ancient Greek: then the
translator has to make a choice, as does the person who
constructs the printed ancient Greek text, but often times a
good introduction will talk about that sort of problem.
- Olivia is not convinced that all causes fit into the 4
categories of causes that Aristotle identifies.
- Great idea to challenge him. You may be right: at least it
will force you to think hard. I think I'll kick the ball back
over to you and ask you to try to identify some cause that
does not fit.