Venetian Lady, Albrecht Durer, 1495
(Newton, fig. 14) The very high waisted style (see bodice detail) and hair style are typical of Venice during a farily short period at the end of the 15th century. This corresponds in time to the Carpaccio picture of two women on a balcony. This gown is the closest I have seen to the Simplicity pattern #8735, although the construction would be somewhat different: the under bodice line is straight, there are three layers (chemise, undergown, and overgown), there are no bodice darts, etc. |
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Mystic Marriage of St. Catherine, Lorenzo Lotto, 1521
(Humfrey, pl. ) In this detail we see Mary and St. Catherine. Mary wears scarlet wool with blue silk undersleeves and yellow/orange silk oversleeves (see shoulder detail). I theorize that the gown is front laced with a panel covering the lacing. |
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Christ Taking Leave of His Mother, Lorenzo Lotto, 1521
(Humfrey, pl. ) This detail shows the donor witnessing the scene in a silk gown with huge sleeves. Is the white undersleeve the chemise? If so, are the salmon-colored cuffs a pari of scoggers? or is the salmon color the indergown, with a white silk middle gown? |
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St. Nicholas Alterpiece, Lorenzo Lotto, 1527-9
(Humfrey, pl. ) Detail. |
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