The University of Vermont

rwarhol


Robyn Warhol-Down


Professor, Department of English
President, Faculty Senate


335 Waterman Building


phone: (802)656-2019


email: robyn.warhol@uvm.edu


 

EDUCATION:
B.A., Pomona College; Ph.D., Stanford University

UNDERGRADUATE COURSES TAUGHT:

  • Feminisms (Feminist Literary Criticism)
  • 19th-century Women's Writing
  • 19th-century British Novel
  • Survey of Literary Theory
  • Seminar: Jane Austen
  • Seminar: The Novels of the Brontes
 
SELCTED PUBLICATIONS:

Books:

   
Editor-in-Chief, The McGraw-Hill Anthology of Women’s Writing Worldwide in English. Forthcoming, 2006. 

Having a Good Cry: Effeminate Feelings and Popular  Forms.   Columbus: Ohio State University Press, 2003.  Theory and Interpretation of Narrative  series, James Phelan and Peter Rabinowitz, series editors.

Feminisms: An Anthology of Literary Theory and Criticism.  Co-edited with Diane Price Herndl.  Revised second edition.  1997.

Women's Work:  An Anthology of American Literature.   Co-edited with Barbara  and George Perkins.  New York: McGraw-Hill.  1994.

Feminisms: An Anthology of Literary Theory and Criticism.  Co-edited with Diane Price Herndl.  New Brunswick: Rutgers University Press, 1991.

Gendered Interventions: Narrative Discourse in the Victorian Novel.  New Brunswick: Rutgers University Press, 1989.


good cry


Recent Articles and Book Chapters:

"Teaching Gender and Narrative."   Options for Teaching Narrative.  Eds. James Phelan, David Herman, and Brian McHale.  New York: MLA.  Forthcoming 2008.

"Narrative Refusals and Generic Transformation in Austen and James: What Doesn't Happen in Northanger Abbey and Spoils of Poynton."  Henry James Review, forthcoming, 2007.

”Recruiting and Retaining Minority Faculty Members in English.”  Association of Departments of English Bulletin 137(2005): 57-60

”Neonarrative; or, How to Render the Unnarratable in Realist Fiction and Contemporary Film.” A Companion to Narrative Theory. Eds. James Phelan and Peter Rabinowitz.  Malden, MA and Oxford: Blackwell, 2005.  220-231

 “Physiology, Gender and Feeling: On Cheering Up.”  Narrative 12.2 (2004): 226-229.

“The Rhetoric of Addiction: From Victorian Novels to A.A.”  High Anxieties: Cultural Studies in Addiction, eds.  Janet Farrell Brodie and Marc Redfield.  Berkeley:  Univ. of California Press, 2002.  97-108.

“Nice Work, If You Can Get It--And If You Can’t?  Building Women’s Studies without Tenure Lines.”  Women’s Studies on its Own, ed. Robyn
Wiegman, Duke UP, 2002.  pp. 224-232.

" 'Ain't I de one everybody  come  to  see?':  Popular Memories of Uncle Tom's Cabin "  Hop on Pop: The Pleasures and Politics of Popular Culture, eds. Henry Jenkins, Tara MacPherson, and Jane Shattuc.  Duke University Press, 2002.  pp. 650-670.

“How Narration Produces Gender:  Femininity as Affect and Effect in Alice Walker’s The Color Purple.”   Narrative. Vol. 9, No. 2 (May, 2001): 182-187.

“Making ‘Gay’ and ‘Lesbian’ into Household Words: How Serial Form Works in Armistead Maupin’s Tales of the City.”  Contemporary Literature.  40.3 (Fall, 1999): 378-402.  Reprinted in Brian Richardson, ed., Narrative Dynamics: Essays on Time, Plot, Closure, and Frames.  Columbus: Ohio State  University Press, 2002.  229-248.

CURRENT PROJECTS:

"Narrative Refusals: What Doesn't Happen in 19th-century British Novels"  for the Ohio State University Press series in Theories and Interpretation of Narrative, including chapters on Austen, Dickens, C. Brontë and James

"Feminisms Redux" a new shorter anthology of feminist criticism and theory for Rutgers University Press

"Romancing the Archive" a collection being co-edited with Helena Michie.  

Last modified October 31 2008 02:02 PM

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