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THE
PROFANE PARADIGM
Chuck Nicholas, Rostrum, May, 2001
DRAMA
vs FORENSICS: AYE, THERE'S THE RUB
Rusty McCrady, Rostrum, April, 2001
MOVE
IT, OR LOSE IT!The Debate Over Movement in Interp
Bill Gibron, Rostrum, 2001
SUGGEST
IN PROSE READING
Debbie Bendix, Rostrum, September, 1998
CATERPILLERS
AND BLOSSOMS
Don Crabtree, Rostrum, April, 2001
THE
INTERP PROTFOLIO
Don Crabtree, Rostrum, 2001
"HIDE
AND SEEK"
Don Crabtree, Rostrum, January, 2001
HOW
DEBATER'S SHOULD JUDGE INTERP!
Michael Streeter
Rostrum, May, 2000
INTERPRETATION
OF POETRY
Ruby C. Krider
Rostrum, May, 1998
THE
CUTTING IN INTERPRETATION
(THE 3 STEP METHOD)
Bill Gibron
Rostrum, January, 2000
Suggest
in prose reading
Debbie Bendix, Rostrum, May, 1998
Prose
interpretation: an analysis
Don Crabtree, Rostrum, May, 1998
Oral
interpretation of literature: a discipline or an event
Collette Mikesell Winfield, Rostrum, June, 1997
Monologue
or dialogue
Cathy McNamara, Rostrum, April, 1997
Advice
to players
Tony Figliola, Rostrum, April, 1997
Sybil
does duo: guidelines for creating a multiple character duo
David Kraft, Rostrum, April, 1997
The
unlucky thirteen
adapted by L. D. Naegelin, Rostrum, February, 1996
Duo
Techniques
Tony Figliola, February, 1996
Oral
interpretation of literature: prose and poetry reading
Tony Figliola, Rostrum, February, 1995
Narrowing
the gender gap in interpretation
Ron Krikac, Rostrum, April, 1995
Why
not try duo?
Tony Figliola, Rostrum, January, 1995
It's
in the bag
Bill Davis, Rostrum, March, 1994