Faculty - M. D. Usher, Professor and Chair
M. D. Usher, Professor and Chair
- Ph.D., University of Chicago, 1997
- Curriculum Vitae (PDF)
Area of expertise
Greek and Latin literature, orality studies, the classical tradition
Contact InformationEmail: firstname.lastname@example.org
Office: Room 303, 481 Main Street
Office Hours: Tuesday/ Wednesday/Thursday 10:00-11:00 a.m. and by appointment
I am a UVM alumnus (B.A. in Greek and Latin) and joined the UVM faculty in 2000. Before attending UVM as an undergraduate I apprenticed in Germany as a post-and-beam carpenter. Upon graduation from UVM, I earned my PhD in Classics at The University of Chicago.
I teach courses in Greek and Latin language and in classical civilization. I have also taught in the Integrated Humanities Program, the Teacher-Advisor Program (TAP), and the Honors College. My academic interests include orality studies, Near Eastern influences on classical literature, especially on Greek literature of the archaic period (Homer, Hesiod and the lyric poets), and ancient philosophy (the writings of Plato and Seneca in particular). I am also deeply interested in the reception of classical texts in modern works of art, music, and literature. At the moment I am working on a book entitled "Systainability, Complex Systems, and the Greeks", which traces the modern conception of ecological and socio-economic sustainability and complexity theory back to their unacknowledged roots in ancient Greek and Roman literature and philosophy. In addition to publishing books and articles in the field of Classics, I have written two opera libretti in Greek and Latin (for text, music, and video see neron-kaisar-the-opera.org), original poetry, translations, and children's books. Non-academic interests include carpentry (I built my own house and outbuildings) and farming (my wife Caroline and I own and operate Works & Days Farm in Shoreham and sell market lambs, eggs, and chicken).
- A Student's Seneca: 10 Letters with Selections from De providentia and De vita beata (University of Oklahoma Press, 2006)
- Homerocentones Eudociae Augustae (B. G. Teubner/K. G. Saur, 1999)
- Homeric Stitchings: The Homeric Centos of the Empress Eudocia (Rowman & Littlefield, 1998)
- Texts and Their Transformations: Continuity and Change in the Classical Tradition (Joseph Regenstein Library, 1995)
- “An African Oresteia: Field Notes on Pasolini’s Appunti per un’ Orestiade Africana,” Arion, A Journal of Humanities and the Classics 22.1 (2014) 111-149.
- “Teste Galba cum Sibylla: Oracles, Octavia, and the East,” Classical Philology 108.1 (2013) 21-40
- "Diogenes' Doggerel: Chreia and Quotation in Cynic Performance," Classical Journal 104:3 (2009) 207-223
- "Theomachy, Creation, and the Poetics of Quotation in Longinus Chapter 9," Classical Philology 102:3 (2007) 292-303
- "Carneades' Quip: Orality, Philosophy, Wit, and the Poetics of Impromptu Quotation," Oral Tradition 21:1 (2006) 190-209
- "Satyr Play in Plato's Symposium," American Journal of Philology 123.2 (2002) 205-28
- "Variations: On the Text of Homer," In Speaking Volumes: Orality and Literacy in the Greek and Roman World. Ed. by Janet Watson (Leiden: Brill, 2001) 81-91
- “Στέλλεται at Bacchae 1000: The Emperor’s New Clothes?” Classical Philology 95.1 (2000) 72-4
- "Prolegomenon to the Homeric Centos," American Journal of Philology 118.2 (1997) 307-21
- "The Strange Case of Dr. Syntax and Mr. Pound," Classical and Modern Literature 16.2 (1996) 95-106
- "The Sixth Sibylline Oracle as a Literary Hymn," Greek, Roman, and Byzantine Studies 36.1 (1995) 25-49 [Reprinted in Greek Literature, Vol. 9, ed. by Gregory Nagy (Routledge, 2001) pp. 55-79]
- The Golden Ass of Lucius Apuleius, a creative reworking of the classic comic novel for young readers of all ages, with illustrations by T. Motley (David R. Godine, 2011).
- DiOGenes (about Diogenes the Cynic philosopher, cast literally as a dog), with illustrations by Michael Chesworth (Farrar, Straus & Giroux, 2009)
- Wise Guy: The Life and Philosophy of Socrates, with illustrations by William Bramhall (Farrar, Straus & Giroux, 2005)
- Voces Vergilianae, Latin libretto and translation for an opera-oratorio by composer John Peel, selected, adapted, and arranged by M. D. Usher from the poetry of Vergil (Performed March 10 and 14, 1999 at the Mary Stuart Rodgers Music Center, Willamette University, by the Willamette Chamber Choir, the Salem Chamber Orchestra and five vocal soloists.).
- NERON KAISAR: A Poetic Opera in 10 Scenes by John Peel, libretto in ancient Greek, Latin, and English by M. D. Usher. (Commissioned, in progress; selections performed March 13, 2013, in Salem, Ore.; upcoming performance of Scene 1 for 4 soloists and chorus with harp and piano accompaniment in conjunction with the Archive for the Performance of Greek and Roman Drama’s conference “Performing Epic into the Twenty-First Century” (www.apgrd.ox.ac.uk/events), Jacqueline du Pré Music Hall, St. Hilda’s College, Oxford University, September 18, 2014.)