A getting started page is the online equivalent of greeting students in a traditional class on the first day. Its primary purposes are to welcome them, provide an overview of the course, and state your expectations in terms of student time and effort. The following elements are recommended:
Below are three examples of Getting Started pages, used with permission from the faculty.
Example from Mark Greenberg's ENGS096 American Sounds: Ballads, Blues, & Roots Music
PLEASE READ THIS CAREFULLY
WELCOME to American Sounds: Ballads, Blues, & Roots Music, a long title for a short survey of some American “roots” or “vernacular” music. This music reflects the rich mix of this country's cultures and traditions, including blues, ballads, Cajun and zydeco, conjunto, old-time, bluegrass, salsa, jazz, and rock and roll.
The fact that this course is listed under English may be a bit confusing (as I say in the introduction to Week I [Course Content], categorizing things can be tricky). While music is certainly central, those of you with more interest in the “English” aspects of the course may wish to focus on textual/lyrical considerations and on critical writing. If so, just let me know so that I can make my responses to your work as appropriate and helpful as possible.
You don’t need any specialized music knowledge to take this course, and I’ve tried to keep the use of technical music terms to a minimum. If any baffle you, look them up and, if that doesn’t help, either post a question to the General Discussion section of the Discussion Board so that other students may benefit from – and possibly help answer – your question, or send me an email (via the Bb email tool). We’ll be focusing on two of the major (many would say the major) sources of American music: British/Celtic-based music and African-based music. It is the interactions and inter-twining of these two sets of influences that have created much of what we think of as distinctly “American” music (rock and roll is the most obvious example). There are, of course, many other sources and styles of music in this country, and I’ll be counting on you to choose and explore one of them for your Course Project.
I’ve been involved with this music since the 1960s as a musician, writer, producer, presenter, and teacher. Along the way I’ve seen, heard, and been fortunate enough to know and work with some of the musicians we’ll be listening to, watching, and talking about and have seen many more.
Next Steps:
* Please let me know (via Email - the Blackboard email tool will send emails to my UVM email address) about any problems you encounter with this site – broken links, missing documents or files, inconsistent terminology, confusing instructions, etc. Your suggestions for improving the site and course are always welcome.
* You should know that Blackboard tracks your use of this site, so I will know which pages you’ve at least visited and how often.
* Communicate with me (via Email) about any problems or concerns, including scheduling, that you may have. There’s usually a way to work things out as long as I hear from you in a timely manner.
* If you do not have a cable, DSL, or other high-speed connection, plan to use a computer at a local library (or UVM) so that you can efficiently access the media files (take headphones).
Example from Elizabeth Smith's ANTH195 Gender in the Middle East
Greetings from the Middle East! I am in Egypt until our course begins August 3, winding up a summer of book writing and research in Cairo. It has been as hot and dry here at is has been cold and wet there, I hear.
I look forward to working with you, learning from you, and getting to know you all over the next four weeks. Given the short time span we have, the course will move along very quickly so it's important to keep up. You can expect to put in a minimum of 2-3 hours of work per day, including reading, writing and responding to other students' work, doing a little online research for certain assignments and projects, taking quizzes, and from time to time watching video content online. The reading is substantial, the writing is all relatively short but frequent, in depth, and interactive.
You'll start writing right away for your first assignment. Look for the instructions at the bottom of August 3rd's Session 1 page.
But first, here are some tips on how to use the materials in this course.
Your Next Steps:
That’s all for now!
Dr. Smith
Example from Jennifer Dickinson's ANTH028 Linguistic Anthropology
Welcome to our online course! This course will run for six weeks and requires the same amount of work you would normally put into 15 weeks of a regular course. Important information about grading policies, workload, and types of assignments is available in the syllabus and course schedule.
First, here are some pointers on how to use the materials in this course.
Your next steps: