Expository Writing
English
50 D
Spring
2003 Syllabus
Section D: Tuesday & Thursday
9:30 - 10:45 am
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Tuesday, January 14 | Preliminaries: Attendance, syllabus, texts, course requirements
Paper #1: Subject/topic selection. Be prepared to explain the subject and topic of your first paper in class on Thursday. |
Thursday, January 16 | Models for Writers: Introduction and Thesis, pp. 1-46. Writer's Brief Handbook: Composing, pp. 1-28. Discussion of subject/topics. Paper #1: Be prepared to share the thesis of your paper in class on Tuesday. |
Tuesday, January 21 | Models for Writers: Unity, pp. 47-64. Writer's Brief Handbook: Paragraphs, pp. 29-45. Full class examination of one paper. Discussion of revision requirements for next draft. Paper #1: First draft due. Bring two copies of your first draft for conferencing. Class discussion of your thesis statement. |
Thursday, January 23 | Models for Writers: Organization, pp. 65-84. Writer's Brief Handbook: Sentences, pp. 63-88. Paper #1: Revised draft due. Bring two copies. |
Tuesday, January 28 | Models for Writers: Beginnings and Endings, pp. 85-111. Writer's Brief Handbook: Argue, pp. 235-247. Paper #1: Finished. Bring two copies for proofreading conferences. |
Thursday, January 30 | TBA |
Tuesday, February 4 | Models for Writers: Transitions, pp. 134-154. Writer's Brief Handbook: Word Choice, pp. 143-170. Paper #2: First draft due. Bring two copies for conferencing. |
Thursday, February 6 | Models for Writers: Diction and Tone, pp. 183-211.
Paper #2: Revised draft. Bring two copies for conferencing. |
Tuesday, February 11 | Paper #2: Finished. |
Thursday, February 13 | TBA |
Tuesday, February 18 | Models for Writers: Illustration, pp. 233-258. Writer's Brief Handbook: Punctuation, pp. 171-196. |
Thursday, February 20 | Models for Writers: Narration, pp. 259-286. Writer's Brief Handbook: Mechanics, pp. 197-219. |
Tuesday, February 25 | Models for Writers: Description, pp. 287-307. Writer's Brief Handbook: Document Design, pp. 221-233. Paper #3: First draft. Bring two copies for conferencing. |
Thursday, February 27 | Models for Writers: Division and Classification, pp. 346-372.
Paper #3: Revised draft. Bring two copies. |
Tuesday, March 4 | Town Meeting Day - No Classes |
Thursday, March 6 | Models for Writers: Comparison and Contrast, pp. 373-393. Paper #3: Finished. |
Tuesday, March 11 | Models for Writers: Argument, TBA. |
Thursday, March 13 | Writer's Brief Handbook: MLA Documentation, pp. 328-362.
Paper #4: Discussion of topic and research questions. |
Monday-Friday, March 17-21 | Spring Recess |
Tuesday, March 25 | Paper #4: First draft. Bring two copies for conferencing. Conferences with Instructor. |
Thursday, March 27 | Paper #4: Revised draft. Bring two copies |
Tuesday, April 1 | Paper #4: Revised draft cont'd. |
Thursday, April 3 | Conferences with Instructor. |
Tuesday, April 8 | Paper #4: Finished. |
Thursday, April 10 | Conferences with Instructor. |
Tuesday, April 15 | Conferences with Instructor. |
Thursday, April 17 | Work on portfolios. |
Tuesday, April 22 | Work on portfolios. |
Thursday, April 24 | Work on portfolios. |
Tuesday, April 29 |
Schedule for Final Portfolio review to be determined. |
Texts:
The Writer's Brief Handbook, 4/e, (Longman) by Alfred Rosa and Paul
Eschholz. It is important that you buy the fourth edition of this text
because it contains the latest Modern Language Association (MLA) guidelines
for the documentation of research papers; these are the guidelines we will
be learning to use.
Models for Writers, 7/e, (Bedford/St. Martin's) by Alfred Rosa and Paul Eschholz. We will read the essays in this collection and use them, not so much as models for the way you should write (although they are very helpful in that sense), but for analysis of the ways published writers have solved various problems they have faced and how they have accomplished their goals. Most of the essays are 2-3 pages long and quite interesting.
Please have the reading assignments, both in The Writer's Brief Handbook and Models for Writers, accomplished by the date announced on the syllabus and be prepared to discuss what you have read.
Course requirements:
Course Objectives
Demonstrate the knowledge and/or proper use of:
Writing Conferences
Essential to our work are writing conferences, discussions about your writing
with various audiences -- another student, two or more students, the entire
class, me. Think of your work, then, as both private and public.
You write in solitude but share that writing in public in order to improve
it. In this sense the classroom is an ideal place for us to learn to
write. We'll talk more, as the course unfolds, about the proper attitude
we all need to bring to the classroom in order for conferencing to be effective.
Grades
Grades will be determined at the conclusion of the course and will be based
on the quality of the work you have produced. You will submit a portfolio
of all your written work along with the various drafts of it that you have
produced. These portfolios will be submitted to me before the end of
the semester at a date we'll agree upon later. I will read what you
have written, determine a grade for it, and discuss that grade with you shortly
thereafter. It is important to realize that while it is not possible
to get a good grade without a lot of hard work, it is possible to put in
a lot of hard work and not get the grade you would like. With writing
we are dealing with a skill that comes easier for some of us than it does
for others. Your roommate may be able to get better grades than you
even with fewer revisions and less work. The important thing for you,
however, is to come to an awareness of yourself as a writer, to know what
your strengths and weaknesses are, to improve from wherever you start as
a writer by being conscious of what you are trying to do, and to learn the
steps necessary to revise your work and to edit it properly.
It may seem risky for some of you to wait until the end of the course to learn how you are doing. Ideally, you should know better than anyone how you are doing. By understanding the composing process, immersing yourself in each of your compositions, building confidence in your abilities, and acquiring the tools necessary for improvement, there should be no mystery in all this.
Let me say also that I believe that this course is the most important course taught at any University - not because it is an English course, not because I teach it. I believe it so because it is a course in you and your writing. I always explain to students that English 50 is a course I could take profitably every semester for the rest of my life, beginning wherever I found my skill level and improving from there. Writing is not something you finally learn to do; it is something that you get better and better at -- it's a journey, not a destination, to use a well-worn expression.
Class Participation
Your participation is essential to making our time together in the classroom
interesting and fruitful. By participating, you develop your thinking
and understanding of the various subjects and issues that come before us
and encourage your peers to do the same.
Attendance
The college catalog and the Cat's Tale (student handbook) require that
you be in attendance for each class meeting; therefore, I will take attendance
each class day. You are allowed two absences, excused or not.
After that, any absences will be charged off against your final grade in
the course at the rate of one half-letter of your course grade per absence.
Look at it this way: your third and fourth absences reduce your letter grade
from an A to a B, and so on. During the first two weeks of classes
student athletes should give me in writing a schedule of their out-of-town
obligations. Students who would like to meet special religious obligations
should make their wishes clear to me in writing during the first two weeks
of classes.
Portfolios
Prepare your final writing portfolio in the following manner. Place
the four assignments in descending order of quality. Use a large binder
clip to hold the various drafts of each assignment, from the most recent
draft to the earliest draft. Be prepared in your conference with me
to defend your choices as to quality and to explain what occurred as you
wrote the drafts of each paper. In other words, be prepared to explain
what you did to improve each draft.
Finally, prepare a one-page statement reflecting the progress you made as a writer over the semester. What did you learn? What are you now able to do that gave you trouble earlier? What still causes you fits? What can you do to make your writing better in the future.
Office visits
I try to make myself available to students from 10-12 on Wednesdays. I leave
it to you to avail yourself of the opportunity to get help on your reading
or to come in and chat about the course material we are studying. Please
let me know ahead of time if you are planning on stopping by my office so
I can plan accordingly.
“The limits of my language mean the limits of my world.”
Ludwig Wittgenstein
Tractatus Logico-Philosophicus
Proposition 5.6, 1921
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Last revised December 26, 2002